Tag Archives: Satanath Records

Five New Bands You Should Be Listening To This Year

5. Grotesque Ceremonium

Turkey isn’t exactly the first place you think of when it comes to extreme metal, but Grotesque Ceremonium is putting Turkey on the map.  A one man project out of Ankara, Grotesque Ceremonium play satanic old school death metal with a blackened edge and a listenable groove.  Think Abhoror but more easily palatable.  The band released their first full length album entitled Demonic Inquisition with the up and coming label Satanath Records last year and the album kicks ass beginning to end.  This is a band you need to familiarize yourself with immediately.

 

4.Limbsplitter

Anyone in the Cleveland area knows Limbsplitter isn’t exactly a new band. They’ve been touring and playing fests since 2013.  2017 is when they really started to take off though, releasing their first full length album, Chloroform Cocktail.  Aside from having the most brutal album cover in history and hilarious song titles (Drenched in Menstruation anyone) Limbsplitter brings in hard with their musicianship. This is brutal death metal with a grindy feel and even some thrash and technical elements.  They’ve been praised in Metal Injection and featured on a number of fests.  Sick shit here.

 

3. Contaminated

Slow doomy death metal anyone?  Seriously, Australia’s Contaminated blew me away with their debut album, Final Man.  I can’t stop listening. This is some of the heaviest shit I’ve ever heard.  Contaminated coalesces the suffocating thickness of doom metal with the intensity of old school death metal to create a dense and truly massive sound.  What really resonated with me was how convincingly 90’s their debut sounded.  Final Man may as well have come out alongside classics like Autopsy’s Severed Survival.  Truly old school and original; Contaminated’s sound is simply crushing.

2. Degotten

For the life of me I can’t figure out why there hasn’t more buzz in the underground metal community over Degotten’s debut Hexentrost.  This is indisputably masterful blackened thrash with a power metal edge. With a sound that’s both colossal and dark, Chili’s Degotten are proverbial thrash metal warriors heading off to battle, six string axe in hand.  This album is thrash metal perfection, complete with cool riffs and shredding solos, but what sets Degotten apart from others in the black/thrash genre is the nod to classic heavy metal and their melodic undertones.  Original as can be, Hexentrost is a must have for 2017.

 

1. Cemetery Winds

I find it fascinating that such a perfect debut has managed to remain shrouded in obscurity, virtually uncovered by popular extreme metal music media. Cemetery Winds is a Finnish one man black/death project (at least I believe they are a one man project because J. Lukka is the band’s only listed active member).  Their style is melodic on an enthralling level while remaining unequivocally Scandanavian death metal.  The band’s debut, Unholy Ascentions, was released in February of this year.  What sets Cemetery Winds’ sound apart is that instead of drawing on black metal’s rawer elements, as has been the most recent trend in BM of the 2010’s, they follow the old horde and draw on the more melodic elements of the genre.  They achieve this while maintaining their originality and not falling victim to At the Gates worship. Unholy Ascensions is every bit as intense as any gritty Australian death metal band with the ambience of the most memorable Swedish black metal. This is truly incredible stuff.

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Vomit of Doom- Magnus Cruelty

When I first started this blog four years ago, my intention was to support good underground bands that had been largely ignored, even by the underground metal elite. Obviously, the site has grown immensely since then, but today I’d like give a throwback to the early days of Underworld by supporting a great band that I haven’t heard anyone talk about on metal forums or at shows.  Argentinian thrashers, Vomit of Doom have been shrouded in obscurity since they formed back in 2009 and for no good reason.  The band kicks ass.

Aside from the fact that I love the band’s name, as it harkens back to a simpler time in heavy metal history, not so pretentious and reliant on medical dictionaries and esoteric grimiores, a time when Bill and Ted and Beavis and Butthead defined what it meant to rock, Vomit of Doom lives up to the coolness of their name by writing neck breaking unapologetic thrash.  Vomit of Doom describes their sound as blackened thrash.  I think these days, blackened thrash has just become a fall back genre for thrash bands that write uglier riffs and can’t be likened to the upbeat bay area sound that has defined the genre.  Not that we don’t love you Vio-Lence.

But Vomit of Doom has created a sound that’s truly old school.  While I don’t hear a huge blackened influence, there is definitely a rawness to their sound that’s reminiscent of extreme metal’s beginnings.  They sound like they came right out of 1987, not like they’re trying to.  They just are.  The band’s most recent EP, entitled Magnus Cruelty, can be compared to the sounds of early Sepultura, or Poison (the German band not the gay ass glam band).  There’s even hints of early death metal sprinkled in the sound, think Death or Possessed.   Tracks are short, generally under three minutes in length, and each one pummels the listener with pure, bludgeoning ferocity.

Vomit of Doom achieves their perfected aggressive sound with slightly dirty, lo-fi production, piercing solos, and sickening riffs that will punch you in the face.  L. Warpig Venomous Abominator’s vocals are absolutely disgusting, high-end growls that will leave you wanting more.  Adding to the band’s classic thrash repertoire is the anthemic quality of each song.  This is definitely the kind of music to pound your fist to while screaming NO DIVINE!!! at the top of your lungs.  Every song on the album is memorable but the interlude in the middle left me, as an American listener confused. Other than that, Magnus Cruelty is practically a perfect old school thrash album, aggressive and fast as fuck.  Even the intro and the outro were perfectly tied in with the rest of album, only adding to the nostalgia of the band’s uniquely old school thrash sound.  But listen for yourself.  Happy listening.  Hails!

9/10

Epidemia- Leprocomio

epidemia

From the bowels of Ecuador comes death metal outfit Epidemia.  The band released their second full length LP, Lepricomio, on Russian extreme metal label Satanath Records back in May of 2016 and has received little exposure.  This is unfair, I believe, since Lepricomio is a solidly brutal effort that melts faces upon impact.

Considering the band has been brutalizing audiences for over a decade and has only released two full length albums to date, one can only assume the band suffers from underground band syndrome, which is unsettling from such a promising band. Pulverizing riffs and bone crushing, true metal breakdowns are the meat of Leprocomio.

The more aggressive parts of the album are defined by the cohesive tangibility which induces immediate head banging.  The sound is reminscent of bands like Revel in Flesh or even Dismember.  Solos on the album are eerily Death inspired, the drums are face melting, and Adrian Salazar’s vocals are a clear and classic low growl.  What I found most appealing about this album was the fluidity in the progressions.  Changes in progression flowed nicely which made for an enjoyable listening experience.

Stand out tracks on the album were Retribución homicida (that fucking opening riff) and Agonistes en el inframundo.  This is a band that deserves much more exposure. Fans of old school, gripping death metal with bone crushing blasts, blistering solos, and breakdowns played the way they were meant to be played, take note.  Ecuador’s Epidemia is definitely worth your time.

8.5/10