Tag Archives: Metal

The 10 Most Annoying Types of Metal Fans

In the many years I’ve spent frequenting local and underground shows, I’ve encountered many different types of metal heads. Some of the coolest, most hardworking, intelligent and passionate people I know hold a special place in their hearts for the world’s most extreme genre of music. Metal fans are diverse, with a culture spanning all over the globe and attracting generations of listeners.

That said, any genre of music is bound to attract bottom feeders and scummy assholes. Annoying people are everywhere and extreme metal is not immune to attracting society’s most irritating masses. During my time in the scene, I’ve been able to assess a few common types of people attracted to extreme metal that would have been better off as mere cum stains on their mother’s 200 thread count sheets.  Here are the top 10 most annoying types of metal fans.

The Only Knows One Band Guy

This dude can usually be spotted at fests and major shows and will oust himself within minutes. He loves Slayer, or Pantera, or Death, has memorized their entire discography and he wants you to know about it.

This guy’s annoying because he’s not really a metal fan. He’s a Slayer fan. While others love Slayer, and may even call them their favorite band, they don’t obsess about the band to the point of the exclusion of all other bands.

What I’ve found, is that many of these obsessive fans of one band don’t identify with the metal genre outside of that band. Slayer or Pantera gives them an opportunity to go nuts. That’s all fine and dandy, except that the media often depicts these one band pony guys as “true metal heads” which is both inaccurate and annoying. Metal heads are actually pretty complex and the dude screaming SLAAAYYYERRRR! at the top of his lungs is not.

The Uber Elitist

Also known as “me,” guilty as charged. I think most music journalists are to some degree. I can understand how this happens. When you belong to a subculture that society continually attempts to undermine, it can be tempting to hold that which you adore so deeply within your clutches that you get tunnel vision.

Metal heads are constantly told to open their minds to other, shittier types of music, only to have absolutely no one open up their mind to their music. The few times a metal head can get their EDM DJ friend to listen to Sadistic Intent with them, they have to listen to them rattle off the same drivel about how they “couldn’t understand the lyrics,” “they prefer music with clean vocals,” or about how they “should check out this band Five Finger Death Punch” who they naively believe is just as heavy. They insult your music despite the fact that they’re literally listening to a cleverly arranged computer generated noise.

It gets even worse when the clubs, record stores and magazines refuse to cater to your unique tastes in underground metal. When you see your favorite club, that was once exclusively metal, booking emo bands to rack in bucks, or your favorite magazine featuring Bring Me the Horizon on the cover when you could think of at least eight bands more deserving of that position, you begin to feel as though extreme metal is this special thing just for you to love.

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That said, if we want Revolver to put UADA on the cover instead of Deafheaven, elitist metal fans need cultivate an environment that allows the movement to grow. Looking down on someone for not knowing who Belphegor is helps no one. Nor does refusing to acknowledge bands who even slightly experiment with other styles in their sound as “true” metal. These kinds of experimentation help new listeners get acquainted with a musical style they might not know they liked.

Myrkur is a perfect example of this. Her fusion of Scandinavian folk, black metal elements and neo goth/classical was beautiful in a lot of ways. Was it the future of black metal? Fuck no! But the manner in which many true metal heads went about in berating her efforts was pretty gross. This attitude is going to continue to get metal dismissed as a relevant genre of music by mainstream outlets. Cultivating that niche factor is cool to some degree but eventually it can be frustrating to watch metal be continually be overlooked in the media, despite its massive global scope.

The Anti-Elitist

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The polar opposite of the aforementioned elitist, the anti-elitist thinks elitism is what’s ruining the extreme metal scene. This guy’s right, to a degree; elitist’s snobbery is off-putting to newcomers in the extreme metal community. The problem is that this guy takes his loathing of elitism too far. He can often be found on social media and message boards in a keyboard battle with a true metal fan inventing genres like melodic brutal death metal.

What usually unites these anti-elitist types is their love for a band that’s been deemed as a “poser” band, such as: Lamb of God, Slipknot, Cradle of Filth or Mushroomhead. Many of these types actually love some of the heaviest genres of extreme metal but some overly machismo elitist turds gave them crap for liking one too many deathcore bands a long time ago and they’ve never been able to recover. Now whenever a friend glibly remarks about not liking deathcore they flail shamelessly about how elitists like him are “ruining metal.” All the dude said was that he didn’t like it.

What’s at the core of this guy’s behavior is his own insecurity. He feels like he isn’t as seasoned in differentiating various styles of metal as others, or that his ear isn’t as discerning, so he lashes out at those with discerning tastes in metal, claiming they’re bringing about the downfall of the scene. He is right on some level, petty squabbling does not help metal grow. But he needs to calm down. His insecurity is showing.

The Hardcore/Old School Guy Who Wants to Get All Political

This is a more recent phenomenon. Sure, there have always been bands like Brujeria and Gojira whose lyrical themes were political. But the volatile political climate in the present day has everyone thinking they’re a goddamn pundit and it’s making us all hate each other.

In one corner you have the left winger metal fans who’ve leaked from the hardcore scene and are on a mission to save black metal from the Nazis. According to them, most black metal bands are Nazis — even ones who’ve only expressed disdain for Islamic thought or who have included WWII imagery on their album covers. What was never that much of an issue before has been blown way the fuck out of proportion.

On the other side, you have the equally annoying anti SJW tribe ready to defend even actual fucking Nazis in the name of “free speech.” These guys are loud, obnoxious and just as triggered as their supposedly sensitive counterparts. They regularly announce their SJW purges on social media.

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Whoooo cares?????

Metal is supposed to about escapism, but these assholes want to bring CNN into the club with them. Luckily, beers and shots can drown them out. But the truth is, metal should unite us. The tight-knit community of metal fans has always been heavy metal’s greatest strength, which is why it’s never really been about politics.

Those actual Nazi bands from back in the day have largely been ignored because no one cared. NSBM bands have mostly been deemed as bathroom black metal and many of them have turned to punk because punk rockers care more about the message than the music. The thing about metal is that it is really about the shreds…..and the devil. Hail Lucifer!

The Old Dude Always Talking About How Much Cooler it Was Back in the Day

One of the most interesting things about metal is its longevity. It’s stood the test of time and every year new generations of thrashers are born. According to some people, however, metal’s hey day is long gone. Metal was just better in the early 90s and it’s important to never stop talking about that fact.

This guy is usually pushing 40 or older and remembers the tape trading days like they were yesterday — even though he was only 12 when that shit was happening. According to this guy, shows just aren’t as cool as they used to be and the scene is dying a slow death.

He bases his opinion on low turn out for a Monday night show that wasn’t properly promoted. This dude never drops by those Friday night tech death shows packed to the brim with 20 year old pit monsters.

This person is against growth in the scene. He’s curmudgeonly and stuck in his own ways. He prefers the old school style and hates technology — he’s unwilling to budge. What these dudes will find is that, if they stepped outside their relatively closed off circle for a minute, metal is actually bigger than ever before. More bands are forming than in the past and fans are all the more dedicated to supporting the scene. Because there’s so much saturation in the scene, however, it can be difficult for bands to gain their footing and stand out among the rest. But that doesn’t mean the scene is dying. Quite the contrary, it’s on fire.

The Dude Who Won’t Stop Promoting

This guy’s in a band, did you know that? It never fails, every time there’s major metal show about 15 dudes promoting other, smaller shows, their bands, their distros or whatever show up. That’s all fine and dandy. The problem arises when these dudes don’t know when to calm down, stop promoting for a minute and just have a beer and enjoy the show. I can’t be too hard on this guy though, at least they support the scene.

The Genre Specific Guy

elitist metal fans

This person won’t give anything outside their genre preference a chance. It’s one thing to have an inclination toward a particular sub-genre of extreme metal, it’s quite another to regard all other genres as lame or inferior to your genre of choice.

To be fair, metal fans of this ilk are genuinely rare. More often than not, people who know jack about extreme metal assume we’re all like this. But this dude does exist and it’s pretty fucking annoying. If this is you, expand your horizons; you might discover something cool.

The Dude Who Gets Violent in the Pit

The mosh pit is, perhaps, one of the most misunderstood elements of extreme metal.  Outsiders looking in often view mosh pits as rings of violence — cold Darwinist death traps caustically thwarting the souls of lesser creatures disquieted by the sight of blood.

Metal heads see things differently, however. Pit etiquette is mandatory. If someone falls, pick them up so they don’t get trampled. Don’t mess with the people on the sidelines. Protect the women from the giant dudes and overall just have a rowdy good time with limited amounts of bloodshed.

Unfortunately, there’s always one dude, in virtually every pit, that has to mess things up for everyone. This guy is usually wasted and oblivious to how irritating his actions are. Often, he is an outlier in the scene, someone unknown by many of the locals, who’s acting up seemingly to garner attention to himself. He crowd kills, does hardcore kicking and will smash into you with a full beer in hand during a sound check.

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This is why a lot of metal heads hate hardcore and deathcore kids. Many of them seem to exhibit this overly violent, bro-ey behavior. The good news is, the metal scene is full of big, burly men who will put an idiot like this in his place should he get too out of hand.

The Crusty Dude “On the List”

Maybe it’s a personal thing, but this type of metal fan irks me the most. This guy frequents grind and doom shows, may or may not actually be homeless and somehow manages to get into every show for free. He cultivates this image of the ultimate scene supporter but spends absolutely no money on the scene. He can usually be spotted with a Miller Hi Life in hand bumming smokes off the people outside who paid to be there.

Certain shows will be filled with this type of fan. At shows like these, grind and noise shows in particular, you’re likely to spot at least one frightened pit bull in the audience against its will, and a combination of patchouli and swamp ass will usually be permeating the air. Many of these types of fans are in bands, but because they’re homeless and have nowhere to really practice, the bands are sloppy, two piece noise projects that sully the name of metal.

The reason these types of metal heads irk me is because they don’t represent what metal is actually about. Metal fans are some of the hardest working people I know. Metal is incredibly difficult to play and takes hours of dedication to master. These crusty fans are simply lazy, for the most part, and are the antithesis of everything metal represents.

Prog/tech death fans

If you thought the elitist was bad, the prog and tech death guys take the elitist attitude to another level. These types of metal fans walk around with an annoying chip on their shoulder. They believe they’ve earned the right to look to down on other genres of music because of the technical prowess of their favorite musicians.

They walk around musing about pentatonic and diatonic scales feeling superior to everyone else. If it’s not steeped in technicality and incredibly difficult to play, it’s not music.

I get where these guys are coming from in some respect. I do tend to look for certain key elements in a band’s sound in order for them to qualify as metal, but the way prog and tech death fans disregard all artists outside their niche as not “real musicians” is pretty fucking irritating. What these people don’t realize is that musicians who play other styles of music are generally focused on refining elements in their music other than just technicality — they want to create melody and atmosphere.

What prog and tech death fans simultaneously overlook and gloat about is how the music they listen to isn’t accessible to everyone. But while they’re feeling superior for their ability to appreciate complex musical overtures, thrash and punk fans are giving themselves whiplash and just having fucking fun. These guys need to calm down. Music is meant to be enjoyed as a social primer and lubricant. It’s great to appreciate it as an art form — musicians work hard to hone their craft — but at some point it’s time to put that stuff aside and have fun.

PS: Anyone who takes anything on this list too seriously is figuratively a shard of glass lodged deeply inside the pee hole of an uncircumcised penis. Hails!

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Record Store Day Sucks, Metal Sucks, and Collector Scum.

For the past three days since the ever growing “holiday” of Record Store Day happened, my news feed on various social media outlets has been flooded by an ever present article from Axl (pictured above in his metal glory).  The general gist of the story is that NAILS’ Todd Jones doesn’t like Record Store Day; and in all honest neither should you. I’m going to breakdown exactly what’s wrong with the article and Record Store day in general.

The gist of the problem is one many bands face gearing up in the face of the ever devouring machine known as “The Big Studios”. In the months leading up to Record Store Day at least for the last few years major labels have been flooding pressing plants with limited edition (and by that I mean only a million copies minted!) albums you probably already own or can buy cheaper at the shop already. This leaves independent or self-distributed artists out in the cold and money essentially locked in escrow forever.

Let me put it this way, I own a small label and we do occasionally press vinyl, normally in 100-200 batch run.  Now even at 100 LPs that’s still costing me over 3k to press, do you think a major pressing plant is going to rush order my job over a copy of Atreyu’s greatest hits? Of course not. What’s 100 vs 1 million. So now I get to wait months and months while whatever drivel Jack White is pushing out in tye dye vinyl gets rushed straight through in time for the magic “Record Store Day”

Record Store Day by itself isn’t a bad concept.  In fact, it was a great one. A day dedicated to going to your local brick house record store buying some LPs and getting something cool. The problem is that LPs now outsell CDs, and the major studios are all but eager to take advantage of the collector scum market to get some great big bucks out of the process. After all, what’s going to get new customers to a store quicker than a reissue picture of the Sex Pistols?

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This will be sure to bring out the hidden vinyl fans!

What’s even worse is the fact that not only can I go into just about any brick store I could find that album for under $3.50, but now it’s all fair, we have the picture disc! And it’s only $22.99! Take a look through the exclusives, they’re all probably albums you already own or albums you find in the vinyl section of the Goodwill.  What’s even worse is that Axl, again as pictured above in all his metal glory with Samurai Cop at Lolicon or whatever paedophile convention that happens to be taken at doesn’t understand, of all the “exclusives” the only really metal thing listed in an Anthrax 7″, but knowing Axl he’s probably counting the Atreyu and Five Finger Death Punch albums as well.

But I’m not here to get off on a tangent or post memes like other blogs, I’m here simply to say this; NAILS has an album ready to go but can’t be pressed because everyone is pressing the greatest hits of the Clash or assembling a Nirvana Boxset of material you’ve already heard (only this time… it was recorded on a tape deck!) There’s nothing unique or special, there’s nothing that brings new people in. It’s shit for collectors and people thinking picture discs and limited super special glow in the dark editions are worth something, or well, hipsters. I’d also like to take the time time to point out that NAILS is traditionally a powerviolence/grind band so posting some idiotic black metal photo is ridiculous.

Almost as ridiculous as getting hit in the face with a dildo….

You know, a lot of people who know me know I love two things, metal and comics.  But let’s take a page from “the industry that does it right”, of course I mean comics. Sure, it’s crass, it’s capitalistic, and it serves only to get more readers for a month or so, but damn it at least comic book day does it right. None of this omnibus $200 special limited edition bullshit. Hell, you get free 0 issues and #1, on any given comic book day you can walk out with not only a shit load of free books from indies and the big two, but a lot of discounted back issues.  That’s an industry that managed to capitalize it’s audience, draw in new people, and do it in a way that doesn’t push any books aside with only one distro and 3 printers in the entire US.

I admit, I’m guilty of being collector scum, I needed the first copy of Faith No More’s Sol Invictus on cassette and vinyl, and I needed the original issues of James Robinson’s Starman run; but at least on Comic Book Day I don’t see people with shitty blogs making fun of artists (when they themselves probably couldn’t write a song much less an album) for legitimate complaints about an industry that’s built entirely around the idea that idiots buy idiot things. To put it another way, will someone walk in and say, “What’s this Flaming Lips jive? Might want to pony up a few hundred for a box set of glow in the dark vinyls to find out.” Is saying,”look we have all your old shit, only it’s on slightly higher grade vinyl and also, we’re going to make sure you don’t get new shit you have not heard just so you can re-buy Straight Out of Compton again”, a way to get people in vinyl or even into a music store? Of course not.

Everyone hates buying the same shit twice, even if it’s been remixed in dolby digital 5.1 surround. And in the end, if the goal is to bring new people into stores, or even bring people into stores in general give them something new, not something they can find there already. Give them incentive beyond “it’s a different color now”.  And if your goal is to be a writer than don’t bitch about a band for having a legitimate grievance with a broken system; and definitely don’t poke fun at them.  Until then true believers, I’ll simply say this; take a note from the industry that manages to get a new audience with new material even if it means pressing on cereal box presses (Yeah, Charlton Comics did that.  Give the buyer something new, not the same old shit. I’ll enjoy DC Rebirth #0, Record Store Day can enjoy paying 30 bucks for the same Ragina Specktor album you already bought 5 years ago, or a copy of “The Shaggs” 7″ which, let’s be honest you only really want because at one point Frank Zappa said they were brilliant and it’ll impress your friends!  End rant!  Here’s NAILS!

In Memory of McKinney, Truesdell, and Crisostomo

wormreich

Underworld would like to take a moment to pay its respects to three musicians who lost their lives in a tragic car crash early yesterday morning.  Nicholas Crisostomo and Paul Truesdall of Wormreich as well as Ian Mckinney of Khaotika were all tragically taken from us too soon when the driver of their van is said to have fallen asleep behind to wheel and crashed into a tree while driving through Georgia.

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Although the bands greive the loss of their brothers greatly, the surviving members say that they will continue to write and play music because their brothers would have wanted it that way.  Wormreich was formed in Tennessee back in 2009 and has released two full length albums on Moribund Records. Khaotika is an unsigned, gothic metal band from Atlanta, Georgia.  They formed in 2014 and have released one EP thus far.  As metal brothers and sisters, let’s take a moment of silence to remember our brethren that lost their lives yesterday.  Metal won’t be the same without you.  Hailz!