Tag Archives: Graveland

Tabitha’s Top Six Picks for 2016


If there’s one set of memes floating around on social media that everyone seems to believe, it’s that 2016 was a shit year.  The election was particularly messy, with proponents for both candidates treating their pick for POTUS as though they were some sort of elderly messiah.  People deleted each other on Facebook, protested in the streets, and everyone seemed to believe their political acumen was that of a tenured law professor at Harvard.

On top of the media circus, everyone fucking died.  Lemmy died at end of 2015 and ushered in a wave of celebrity death in 2016.  First we lost David Bowie, then Nick Menza, then Glen Frey of The Eagles, Prince (he was he one everyone pretended to love after he died),Leonard Cohen, and George Michael.  It wasn’t only music that took a hit; we also lost Gene Wilder, the mom from the Brady Bunch, Alan Rickman (better known as Professor Snape), and, the one that hit the hardest, Carrie Fisher.  More celebrities died of course but the list is exhaustive so I’ll just stop there.

2016 only redeemed itself with its metal.  This year saw great new releases from giants like Testament, Darkthrone, and Destruction.  Even the new Metallica album was an adorable attempt from them at being a thrash band again.  The underground metal of 2016 was particularly exciting.  Here are my top six picks.

6. Desaster- Oath of an Iron Ritual


I’m gonna go out on a limb and say that Desaster is probably the most fun band to see live on this list.  The German black/thrashers have steadily been upping the ante with their most recent releases and The Oath of an Iron Ritual the pinnacle of circle pit, fist pumping success for the band, as far as quality goes.  Memorable thrashy riffs, breaks, and soloing set this album apart.  Blackened Teutonic bliss.

5. Murdryk- Antologi MMXV


Murdryk’s Antologi MMXV makes the number five spot despite the band’s weird aversion to being compared to being compared to Dissection.  Killer riffs nonetheless, as well as emotional solos, and haunting atmosphere made this one memorable for me.

4. Baphomet’s Blood- In Satan We Trust


Thrash! Death! Sex! Destruction! Baphomet’s Blood easily takes the number four position for top picks of the year with their release of In Satan We Trust.  The band’s flirtation with Motorhead’s gritty vocal stylings and riffing, combined with anthem-ic choruses and slaytanic solos make for an unforgettable sound.  Think fist pumping, pentagrams, and broken necks.

3. Wode- Wode


I got hip to this album later in the year.  Holy shit!  Amazing! The riff progressions on Wode’s debut self titled release are masterful.  This is definitive orthodox black metal tempered with unparalleled melody and emotion.  The raspy vocals and slightly lo-fi production give this release a chilling atmosphere.  Truly memorable.

2. Destroyer 666- Wildfire

destroyer 666

D666 always destroys but 2016 was a particularly good year for the Australian blackened thrashers.  Ignoring the whole racist scandal, the band released Wildfire, which stands alongside Cold Steel as an equal.  Fearlessly epic and heartlessly blackened simultaneously, Wildfire gets a lot of rotation on mine and so many others laptops and record players.

  1. Mare Cognitum- Luminiferus Aether


This is the album I can’t leave alone.  Blackened melodic atmosphere with depressive and ambient interludes woven throughout, pair beautifully with Jacob Buczarski’s tortured vocals and melancholy guitar solos.    This is a memorable release that I’ll continue to return to for years after its release.  Luminiferus Aether slides easily into the number one spot for 2016.

Honorable Mentions:

Embalmer- Emanations From the Crypt: This one was well worth the wait.  Probably the most brutal release this year.

Dark Funeral- Where Shadow Forever Reign: This was a great comeback for the band. Melodic and frostbitten.

Nokturnal Mortum & Graveland- The Spirit Never Dies: Epic and amazing.  Double props to Rob Darken for ruffling Antifa’s sensitive little feathers.

Condition Critical- Extermination Plan: Thrash-terpiece

Vindland- Hanter Savet: Beautiful traditional, no bullshit, black metal with the melodious chill of Sweden’s best

There are so many more great albums I could mention but I have to stop somewhere. List your favorites in the comments.  Happy listening!  Hails!


Graveland/Nokturnal Mortum Split- The Spirit Never Dies

noktunal mortum-graveland

This release snuck up on me. I hadn’t been anticipating it when out of nowhere I became enticed by the prideful, and melodic sounds of the East. Nokturnal Mortum (Ukraine) and Graveland (Poland) joined forces to release a split for the first time since Eastern Hammer and the result is of epic proportion.

Nokturnal Mortum-

I’m grateful that Nokturnal Mortum kicked off this album because they took advantage of the privilege in a creative way. The first note of the split is the signature, folk inspired intro to Voice of Steel.  The Spirit Never Dies isn’t some re-release of old Voice of Steel songs, however. Those songs are perfect as it is. What the intro suggests the new material is on par with the  gloriousness of Voice of Steel. Their suggestion is zealous but not significantly.

The Spirit Never Dies exemplifies an interesting growth and progression in the band’s sound. Voice of Steel was a xenophobic battle cry; energetic and alive. The Spirit Never Dies carries a more tortured ambience.  Ever since Lemmy passed on to a bar somewhere in Valhalla, I’ve been noticing a lot of bands writing riffs that sound like they’re inspired by Motorhead.  It’s a chicken/egg situation really.  Was he influential is ways I hadn’t noticed before, or did his passing inspire the musicians writing more recently?  Track two, entitled Східний Злам, definitely has a bit of a fist pumping quality to it in spots.

The songs are complex though, allowing for several progressions throughout them.  Track two deviates from a tortured, Drudkh inspired ambience, to soulful guitar solos, and even aggressive, symphonic interludes.  В Кайданах Часу continues down this emotional joyride with an even more tortured atmosphere that could be comparable to DSBM.  Old Ygg also comes to mind. What’s also nice about track three is the placement of the keyboard parts adds zero faggottry (faggottry- a word I made up,meaning to make more gay) to the sound, but only add an aureate feel whispering in the background.  I’m beginning to believe Nokturnal Mortum is incapable of failure when it comes to writing music.  This album gives credence to that argument.  9/10 only because nothing compares to the greatness of Voice of Steel.


Graveland has never been my first choice of band to listen to but nonetheless, I respect the Hell out of Rob Darken’s creative ability.  Thankfully, his addition to The Spirit Never Dies wasn’t another mediocre attempt to recreate Hammerheart era Bathory, but it also might not have been the most inspired effort either.  The intro to Graveland’s portion of the split is epic and emotional at the same time and there are several spots throughout each of the songs that are easy to lose yourself into.

The problem I have with this effort though is its almost rebellious refusal to climax into intensity.  It’s like when you’re getting head and your partner goes up for air right before you’re about to cum.  You were so close!

That said, the ethereal atmosphere does have a calming effect and is great in spots.  The Last Dawn, in particular has remarkably beautiful folk elements sprinkled throughout it.  Unfortunately, three minutes into the song, Rob Darken comes up for air.  Overall, this effort is enjoyable but maybe not as memorable as Nokturnal Mortum’s addition to the split.  6/10 because it failed to make me climax.