Tag Archives: Embalmer

Tabitha’s Top Six Picks for 2016

2016

If there’s one set of memes floating around on social media that everyone seems to believe, it’s that 2016 was a shit year.  The election was particularly messy, with proponents for both candidates treating their pick for POTUS as though they were some sort of elderly messiah.  People deleted each other on Facebook, protested in the streets, and everyone seemed to believe their political acumen was that of a tenured law professor at Harvard.

On top of the media circus, everyone fucking died.  Lemmy died at end of 2015 and ushered in a wave of celebrity death in 2016.  First we lost David Bowie, then Nick Menza, then Glen Frey of The Eagles, Prince (he was he one everyone pretended to love after he died),Leonard Cohen, and George Michael.  It wasn’t only music that took a hit; we also lost Gene Wilder, the mom from the Brady Bunch, Alan Rickman (better known as Professor Snape), and, the one that hit the hardest, Carrie Fisher.  More celebrities died of course but the list is exhaustive so I’ll just stop there.

2016 only redeemed itself with its metal.  This year saw great new releases from giants like Testament, Darkthrone, and Destruction.  Even the new Metallica album was an adorable attempt from them at being a thrash band again.  The underground metal of 2016 was particularly exciting.  Here are my top six picks.

6. Desaster- Oath of an Iron Ritual

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I’m gonna go out on a limb and say that Desaster is probably the most fun band to see live on this list.  The German black/thrashers have steadily been upping the ante with their most recent releases and The Oath of an Iron Ritual the pinnacle of circle pit, fist pumping success for the band, as far as quality goes.  Memorable thrashy riffs, breaks, and soloing set this album apart.  Blackened Teutonic bliss.

5. Murdryk- Antologi MMXV

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Murdryk’s Antologi MMXV makes the number five spot despite the band’s weird aversion to being compared to being compared to Dissection.  Killer riffs nonetheless, as well as emotional solos, and haunting atmosphere made this one memorable for me.

4. Baphomet’s Blood- In Satan We Trust

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Thrash! Death! Sex! Destruction! Baphomet’s Blood easily takes the number four position for top picks of the year with their release of In Satan We Trust.  The band’s flirtation with Motorhead’s gritty vocal stylings and riffing, combined with anthem-ic choruses and slaytanic solos make for an unforgettable sound.  Think fist pumping, pentagrams, and broken necks.

3. Wode- Wode

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I got hip to this album later in the year.  Holy shit!  Amazing! The riff progressions on Wode’s debut self titled release are masterful.  This is definitive orthodox black metal tempered with unparalleled melody and emotion.  The raspy vocals and slightly lo-fi production give this release a chilling atmosphere.  Truly memorable.

2. Destroyer 666- Wildfire

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D666 always destroys but 2016 was a particularly good year for the Australian blackened thrashers.  Ignoring the whole racist scandal, the band released Wildfire, which stands alongside Cold Steel as an equal.  Fearlessly epic and heartlessly blackened simultaneously, Wildfire gets a lot of rotation on mine and so many others laptops and record players.

  1. Mare Cognitum- Luminiferus Aether

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This is the album I can’t leave alone.  Blackened melodic atmosphere with depressive and ambient interludes woven throughout, pair beautifully with Jacob Buczarski’s tortured vocals and melancholy guitar solos.    This is a memorable release that I’ll continue to return to for years after its release.  Luminiferus Aether slides easily into the number one spot for 2016.

Honorable Mentions:

Embalmer- Emanations From the Crypt: This one was well worth the wait.  Probably the most brutal release this year.

Dark Funeral- Where Shadow Forever Reign: This was a great comeback for the band. Melodic and frostbitten.

Nokturnal Mortum & Graveland- The Spirit Never Dies: Epic and amazing.  Double props to Rob Darken for ruffling Antifa’s sensitive little feathers.

Condition Critical- Extermination Plan: Thrash-terpiece

Vindland- Hanter Savet: Beautiful traditional, no bullshit, black metal with the melodious chill of Sweden’s best

There are so many more great albums I could mention but I have to stop somewhere. List your favorites in the comments.  Happy listening!  Hails!

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Embalmer- Emanations From the Crypt

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From the beginning instant chaos is thrust onto my ears. Ferocious explosions of distortion emanate outward into the track like galloping forces of thunder. This is not just about death  and mayhem, but these guys bring the pain, and they are not fucking around. Sheer madness reigns over the vocals, he has passion, power, and command, that radiates like a nuclear blast.

I had to be very careful, I know with music like this there is a chance of getting lost within it especially if your pissed about something. It just digs down deep into your soul, exposing you to a raw and rancid humanity of the darkest most macabre flavors possible.  Whether from it’s over reaching shreds of menacing terror, or the dynamic yet soulful grooves provided by these splendid drums.  What I have before me is a bombastic, yet crazy good time that goes off the rails, but knows exactly where the hell it’s going, and how the hell to get there in all good time. They are consistent and mighty in their approach, second to none.

It’s really something special the way they manage to squeeze these scorching leads in between their signature, thick guitar riffs. Some of the slower parts that grind nearly to a hault will have you screaming to the sky with your devil’s horns raised proudly in an acceptable fashion. A constant, heavy barrage that never lets up. It’s honestly the heaviest, most extreme metal I have ever heard, but at the same time there are all of these elements to make it unique, from the melodies, to the expansive drums, and dammit Paul Gorefiend’s vocals, that seem to be ready to bake kittens in their sleep without regret. There is a supremely profound evil resonating on this album and I approve of it without a doubt. The themes of their tracks alone, are a wonderous treat to behold. This music is a true escape from an already shitty world that surrounds us.

When I listen to this band, I think powerful, gritty, something that can not be stopped. The album deviates back and forth between bone crushing and soul smothering, creating an essence of slithering combustion that takes everything from you leaving nothing behind. There’s a maniacial excite that’s rude and in your face every second of this record. Extreme and past the limit of what any human can actually fucking understand, as a musician, I must say this band put forth an impossible yet impressive record. They pushed the envelope in every direction thinkable to bring something to the table that is sure to stand the test of time, and make many ear drums bleed in a process of both pleasure and pain. Great album throughout however, my favorite track is 11, entitled They Can Smell Our Blood. It spoke some nasty shit to me that no other person should ever know. It just made me want to laugh like a mad man, with utter metal joy.

Rating 10/10 by Patrick Wooten.

https://hellsheadbangers.bandcamp.com/album/emanations-from-the-crypt-2

Embalmination Tour 2013

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Embalmer has embarked on their western tour with Forged in Gore, and I (being a Cleveland native) was fortunate enough to catch the first show of the tour in their hometown with featured act, Rottrovore as well as local bands Blood Coven, Funeral Pyre and of course, Forged in Gore. The show was held at Lakewood’s only exclusively metal venue, The Foundry. The club is known for being one of many names (The HiFi, The Breakfast Club etc.) but has really come into it’s own as a spot for extreme metal. Slow to compete with punk/metal pub, Now That’s Class, The Foundry has respectfully become a haven for the underground in the past two years.

Blood Coven was the first band to hit the stage. They kicked off the evening nicely, playing classics, Warmaggedon and Feel My Steel, as well as showcasing their new track Age of Hell, to a lackluster crowd. Perhaps the highpoint of the set, for me at least, was when they played my request, Godless and Wicked.  The set was a bit sloppy in places, but not unforgivably so and the pure evil and aggression emanating from the stage, well made up for any slop in the performance.  Perhaps the only true disappointment was the utter disinterest, yielding from the crowd.  I can not, for the life of me, figure out why Blood Coven hasn’t become a greater force in the Cleveland metal scene.  Alas, I appeared to be the only person familiar with the material.  It was of no consequence to me however, I’ve been that person numerous times.  Blood Coven is truly a band worthy of recognition, so I give you Age of Hell!

Blood Coven’s ass kickery made way for black metal outfit Funeral Pyre. Funeral Pyre prefaced their first performance in twenty years with smells of acrid incense and arrant blackness. The crowd prepared for a celebration of evil. The enthusiasm of the crowd would only be met with sheer disappointment, as the set was an utter disaster. The drums were entirely too loud, drowning out sloppily played guitars.  Vocalist Brian Sekula, lazily fluttered about a goats skull as he shrieked classic tracks, Prosperity of Satan’s Reign and Celtic Sun.  Brief moments of harmony were quickly halted by clumsy mistakes, so attempts to get lost in the music or even discern one song from the next, were futile.  This band will definitely have to work together and practice more if they intend to gain a following in the underground live circuit.  Either that, or remain a studio band.

The show wouldn’t be a total bust, however, Forged in Gore hit the stage next to tear our faces off with the brutal death metal Cleveland has become known for.  Lightening fast riffing, blast beats and guttural “vokills” characterized the set.  Tongue in cheek requests for the band to slow down were met with a proverbial middle finger and even faster playing on the track Afterbirth Hors d’ oeuvre. Vocalist/bassist Brian Baxter engaged the crowd even further, inciting mosh pits and interacting with fans. Embalmer vocalist Paul Gorefiend performed guest vocals on a cover song to much approval from the crowd. Forged in Gore put on an incredible set. The band exudes professionalism and can most definitely anticipate a promising future.

We’d all anticipated Embalmer would go on next as initially Rottrevore was supposed to close the show but at that point in the evening everyone was inebriated and logistics mattered little.  Rottrovore went on next.  Excitement came over the crowd as Rottrevore set the perform their first live show in Cleveland in over 20 years.  Although I, personally am not an avid fan of the brutal death foursome, the band did not disappoint diehards, performing classic tracks like Unanimous Approval and Incompetent Secondary to perfection. Rottrovore closed their set with Conspiracised and fittingly the performance was met with “unanimous approval”.

The final band of the evening to play was of course, goregrind aficionados, Embalmer. An intoxicated Paul Gorefiend hit the stage, spewing vocals to utter perfection. You would never guess that he was wasted or that he’d injured his ribs at a Goatwhore show months back. Embalmer killed it, performing tracks from their must-have compilation from 1997, There Was Blood Everywhere, such as Rotten Body Fluids, the title track and my favorite, Bone Box. They also introduced new tracks from the soon to be released LP Apocalyptic Bloodshower. The new songs may have even exceeded the aggression found on earlier releases, which excites me for the release of Apocalyptic Bloodshower. The band closed with the classic, I am the Embalmer, paying homage to sole original member Roy Stewart. Embalmer did not fail to meet high expectations and “keep it fucking sick”!

Overall, the show was the definition of underground metal, with exorbitant demo trading, unofficial, laid back meet and greets, heavy promotion and intense gratitude for underground heads.  A rapturous evening of gore, dedicated to diehards.

Embalmer is currently touring the west coast with Forged in Gore. Dates are as follows…

6/8 Cleveland, OH
6/11 Kansas City, Missouri
6/14-6/15 Las Vegas Deathfest, Las Vegas, Nevada
6/17 Sacremento, California
6/18 Los Angeles, California
6/21 San Diego, California
6/22 Tempe, Arizona
6/25 Houston, Texas
6/26 Dallas, Texas
6/28-6/29 Gutfest, Colorado Springs, Colorado

Catch them in your town! Happy Listening! Hails!

Embalmer

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Embalmer are Cleveland legends in their own right.  Forming back in 1989 under the name Corpsegrinder, original members Roy Stewart, Toby Wulff, Mark Davis and Duane Morris released four demos, Into the Oven, Taxidermist, Rotting Remains and There Was Blood Everywhere, as well as the compilation entitled There Was Blood Everywhere, paving a bloody path for death metal and grindcore bands to come.

After being on hiatus for nine years, Embalmer returned with a vengeance in 2005 to record their first full length album 13 Faces of Death.  Despite enduring several lineup changes, the feel of the music has changed little from the straight forward brutal death metal fans have grown to love, which is a true testament to the integrity of the band.

Embalmer is currently in the studio recording their second full length album Apocalyptic Bloodshower and touring with Vital Remains.  They have released two new tracks to the public on their 2012 compilation Collection of Carnage, entitled The Origin of Scum and Deities of Filth and Cannibalistic Future.  The aggression and brutality of yesteryear remains imminent on the new tracks, to much approval of awaiting fans.  As you may have discovered, however, this blog is dedicated to the music, so I will let you listen for yourself.  Happy Listening.  Hails!