Tag Archives: Death Metal

Dismember Reunites For an Exclusive Show

scandinavia deathfest official flyer

The metal community is reeling after a jaw dropping announcement that Swedish melodic death metal powerhouses, Dismember, will be reuniting with the original lineup for an exclusive show at Scandinavia Deathfest in Stockholm.

The band has been on hiatus for over 7 years and has not released new material for over a decade so this is huge news for fans of Swedish death metal, of whom Dismember is among the most celebrated acts.

Dismember has had one of the most consistent track records within the melodic death metal genre; never waning in intensity from the heavy hitting classic “Like an Everflowing Stream” in 1991 to their most recent full length release “Dismember” in 2008.

The band couldn’t pick a better time to reunite as fans are hungrier than ever for the crushing sounds of old school death metal and recent trends in the genre have been going in heavier, more orthodox directions. Bands such as 1914, Tomb Mold and Monstrosity showcase this drift back to a rawer, more pure death metal sound. Will 2020 be the year of Dismember?

Though the band has not dropped any hints of plans to return to the studio or write new material (yet),  Fred Etsby (drums), David Blomqvist (guitars), Robert Sennebäck (vocals/guitars), Matti Kärki (vocals) and Richard Cabeza’s (bass) return to the stage should leave fans anticipating great things to come. Dismember knows how much this reunion will mean to fans and their choice to headline, arguably the largest death-fest in their region, is a massive teaser for what the future holds for the band.

Dismember will share the stage with Nuclear Assault, Demilich, Benediction and Undergang among others for what’s shaping up to be a massive event. Scandinavia Deathfest is scheduled for October 11-12 in Stockholm. Americans get your passports ready now, this is going to be one hell of a show you’re not going to want to miss.

 

 

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Underworld Zine’s 10 Best Metal Albums of 2018

2018 was yet another year filled with political division. From the Cavanaugh hearing, to Trump shutting down the government, to Adam Darski taking a photo with prominent Nazi larper/black metal legend Rob Darken, the drama just seems to get worse every year.

Despite all the commotion, more than a few bands released jaw dropping albums in 2018. Some prolific and legendary acts “retired” with a bang by releasing surprisingly crushing final efforts and some newer acts shocked us with insane debuts. Compiling this list was brutally difficult given the sheer volume of sick new releases and settling on an order was nearly impossible. Seriously, I’m still debating on the order, but for now, here are the top 10 best albums of 2018

10. Ennui- End of the Circle

Georgian funeral doom outfit Ennui’s fourth full length album “End of the Circle” was an unexpected gem for me this year. This is a band that opened my mind to the funeral doom genre. Previously, I had been too musically ADHD to truly grasp the beauty of funeral doom, but Ennui’s infusion of blackened ambiance into their otherwise traditional doom sound was able to hold my attention. That says something for a band who opens with a 30 minute epic.

I knew when I didn’t want to skip the opening track after 15 minutes, instead finding myself entirely immersed in Ennui’s melancholy microcosm, that “End of the Circle” was among the 10 best metal albums of the year.

9. Yob- Our Raw Heart

Oregon trio, Yob, is a band everyone has been talking about lately. Vocalist/guitarist Mike Scheidt cheated death by overcoming a near fatal intestinal disease but, while inspiring, “Our Raw Heart” is an LP worth noticing tragedy or not.

Scheidt’s brush with death was the inspiration for the sound and lyrical themes on “Our Raw Heart” and it shows through every impassioned wail and gloomy break on the album. In just 7 tracks, this release takes the listener on a dark journey of epic proportion that’s honest, heartfelt and raw.

8. The Spirit- Sounds From the Vortex

This album floored me the first time I heard it. With a sound plucked directly from early 90s Stockholm, The Spirit is truly a force to be reckoned with in the realm of melodic black metal.

Once more, the band understands the importance of memorable song writing. While the melodies on “Sounds From the Vortex” are tight overall, they maintain an anthemic quality that resonates well in live performances. Picked up by Nuclear Blast upon the release of their debut, this German foursome is one to watch in the coming years.

7. Mare- Ebony Tower

Despite being active since 2003 according to Metal Archives, Mare released their debut album “Ebony Tower” in August of 2018. In an era when Poland, Sweden and Russia are dominating black metal, Mare seeks to put Norway back on the map in a big way.

Ebony Tower” maintains a perfect balance between avant garde and conventional elements in their sound, which creates a truly enjoyable and memorable experience for the listener. What I love about this release is its flow. With its  contrast between melodic interludes and violent breaks, “Ebony Tower” is both kvlt and easily palatable. With a debut like this, I can’t wait to see what’s to come from Mare.

6. Immortal- Northern Chaos Gods

I think the entire metal community was both shocked and worried when Demonaz and Horgh decided to release an Immortal album sans Abbath. Little did we know we were in for a pleasant surprise when the album killed it.

Northern Chaos Gods” is a welcoming homage to the band’s best era. The album is eerily reminiscent of “At the Heart of Winter” in the best possible way. Honestly, I don’t think I’m alone when I say I’m happy about the split because now we’re getting twice the good material from both Abbath as a solo act and Immortal. What can I say, I’m greedy.

5. Unanimated- Annihilated (EP)

I was honestly surprised by the lack of attention Unanimated’s comeback EP received this year. For their first release in over 9 years, these Swedish melodic black metal giants returned with a frostbitten bang.

Annihilation floored me, excited me and left me speechless. Listening to this EP gave me all those happy feelings that come from hearing perfectly executed metal. I couldn’t more stoked that these guys are back.

4. Monstrosity- The Passage of Existence

Like most people, my introduction to Monstrosity came from Mark English’s involvement with Deicide. I’m so glad I discovered Monstrosity and “The Passage of Existence” though because not only does album crush, Mark English has shreds for days.

Monstrosity is a palatable form of OSDM with thrashy interludes and killer solos. This album is truly memorable and easy to digest. Good death metal here.

3. Arkona- Khram

2018 saw another development in the world of metal; Arkona got dark as fuck. Seriously “Khram” surprised me with its range and versatility. The band is clearly taking risks with this album, writing longer songs and going in a heavier direction, and the risks are paying off big time.

Despite the band’s slight deviation in sound, Arkona has managed to stay true to their folky roots. What “Khram” showcases is the band’s ability to grow. This album hits in all the right places.

2. Judas Priest- Firepower

While compiling this list I felt it would be almost blasphemous to not include Judas Priest’s 18th full length release “Firepower” near the top. Judas Priest did what so many other classic metal bands fail to do every year; release an album that’s not only relevant in the modern day, but is an instant classic.

Many people are calling “Firepower” “Painkiller” part II and I have to agree with that assertion. When a classic band like Priest releases a new album, fans usually pray there are at least 1 or 2 good tracks on it, but every song on “Firepower” is an absolute banger.

1. Tomb Mold- Manor of Infinite Forms

As I said earlier, figuring out the order for this list was nearly impossible, but Canadian old school death metal outfit, Tomb Mold was an easy pick for the top spot. What makes “Manor of Infinite Forms” so absolutely crushing is its dedication to the true death metal style that defined the 90s.

This is a band that isn’t shying away from producing something absolutely disgusting, sickening and brutal to the core. All these elements make for a perfect death metal record and a top rank in Underworld’s best metal of the year list.

2018 gave us some great metal. Let’s hope 2019 delivers even better metal. Happy New Year! Hails!

Honorable Mentions:

Deicide- Overtures of Blasphemy

Bane- Esoteric Formulae

Nocturnal Graves- Titan

Satan- Cruel Magic

Uada- Cult of a Dying Sun

Deicide Goes Back to Their Old School Roots With “Overtures of Blasphemy”

2018 seems to be the year of the comeback for many classic bands, Unanimated returned to the spotlight after a nine year hiatus, Judas Priest released a serious banger entitled “Firepower” and even more obscure older bands, like Trauma sprung from their states of hibernation to produce some seriously killer new albums. Deicide can easily add their latest release, “Overtures of Blasphemy,” to the list of killer comeback albums in 2018.

“Overtures of Blasphemy” is the band’s 12th full length release since their formation almost 30 years ago, and the first album they’ve released in over 5 years, and despite receiving some negative feedback from major media outlets such as Banger TV, I have to say that this album was basically worth the wait.

The CD opens with a catchy, grooving track aptly titled “One With Satan.” Singer Glenn Benton hasn’t softened his militantly anti-Christian stance one bit, despite writing music for almost 3 decades. More interestingly, however, this track is truly ear catching. It immediately drew me in with its slow build up in the beginning followed by a kind of calculated intensity and blistering yet melodic solos.

Much of the album continues on this trajectory. It seems that, over the years, the guys have honed their songwriting abilities and deliver every time. Yet, while previous releases were a bit techy for my tastes, “Overtures of Blasphemy” has an air of returning to the bands roots. The feel of this album is old school through and through – just with better production.

What really stood out for me was the guitar work. This makes sense given the introduction of new guitarist, Mark English, of Monstrosity fame. The solos and riff magic was ultimately what drew me in on tracks such as “Seal the Tomb Below,” “Excommunicated” and “Defying the Sacred.” Mark’s riff mastery and shredding made up for Benton’s somewhat lacking vocal on this effort. Benton is known for his vocal range, high to low, but his tone was pretty monotone on this album and really and left much to be desired.

Despite this minor complaint, I don’t have much negative feedback for this release. I think this album was better received than some of Deicide’s previous releases by most of the metal community, and I think that’s for good reason. It’s a banger through and through. “Overtures of Blasphemy” stands out because I doesn’t try too hard. It simply thrashes hard and induces head banging.

It’s rumored, in the underground scene, that this might be the band’s last effort. If that’s the case, it makes sense they would choose to go out with a bang and a nod to their roots. I think that’s what they did here. Overall, good stuff.

8/10

*originally published at All About the Rock

Is Hypoxia the Death Metal Band to Watch in 2018?

Back on August 4, 2018, up and coming New York death metal band Hypoxia unleashed their latest effort upon unsuspecting jaded metal fans. The music video for Hypoxia’s latest track, entitled “Condemned to the Abyss” is the band’s first sneak peek into the newest album rumored to be released later this year on Ultimate Massacre Productions.

Hypoxia’s latest music video has been proliferating within the underground digital space since its release and creating a lot of buzz despite the band’s relatively obscure status. They’ve been featured in mainstream publications such as Metal Injection and the band was even invited to play on the largest metal festival in Latin America, Rock Al Parque last night. So what is it about Hypoxia that makes them stand out so much among the droves of DIY death metal bands churning out riffs each day? I checked out the band’s 2015 release, “Despondent Death,” to find out.

There is something really special about Hypoxia, indeed. While their sound isn’t highly experimental and their musicianship isn’t steeped in technicality, the band’s sound does bring listeners back to a simpler era in death metal while still remaining relevant in 2018 by injecting just the right amount of brutality and tech elements into their classic, old school death metal sound. The production on their 2015 release gives them an explosive quality that is capable of penetrating through even the most cynical of ear drums.

Hypoxia’s riffs may be formulaic to a certain degree, but they rely on tried true methods to create the kind of neck breaking riffs fans of Malevolent Creation or Immolation have grown to cherish. Their newest single is just as explosive as anything on the band’s prior release and their image is just as huge to match. Vocalist, Mike Hrubovcak is practically demon possessed as he emits blood curdling growls spawned from the deepest levels of hell while ominously wielding a flaming torch and female drummer Carolina Perez’s blasts have the power to eviscerate the souls of the weak with their pummeling intensity. Hypoxia emanates a level of sickness uncommon among the hordes of new bands — many of whom have succumb to mediocrity due to over-saturation within the death metal genre. With catchy riffs and extreme power to boot, these guys are just doing it better. This is definitely the band to watch this year.

 

 

 

 

Hate Eternal Streaming New Track!

hat

Florida denizens of death Hate Eternal are streaming a track from the upcoming LP “Upon Desolate Sands.” The new album is set to release on October 26 on Seasons of Mist. This will be the first album from them in over 3 years.

The new track, entitled “What Lies Beyond” has fans excited because it shows the band is practically immune to becoming stale despite having a career that has spanned over 20 years. They fuse tech elements with crushing intensity to create a sound that slowly builds into a maelstrom of blasts and shreds. The skeleton of the track is steeped in definitive death metal elements of which they add layers of complexity over to create a unique sound. This is classic Hate Eternal with a fresh appeal which leaves fans ever more curious and excited what’s to come in October.

Pre-order here: https://shopusa.season-of-mist.com/list/hate-eternal-upon-desolate-sands

Five New Bands You Should Be Listening To This Year

5. Grotesque Ceremonium

Turkey isn’t exactly the first place you think of when it comes to extreme metal, but Grotesque Ceremonium is putting Turkey on the map.  A one man project out of Ankara, Grotesque Ceremonium play satanic old school death metal with a blackened edge and a listenable groove.  Think Abhoror but more easily palatable.  The band released their first full length album entitled Demonic Inquisition with the up and coming label Satanath Records last year and the album kicks ass beginning to end.  This is a band you need to familiarize yourself with immediately.

 

4.Limbsplitter

Anyone in the Cleveland area knows Limbsplitter isn’t exactly a new band. They’ve been touring and playing fests since 2013.  2017 is when they really started to take off though, releasing their first full length album, Chloroform Cocktail.  Aside from having the most brutal album cover in history and hilarious song titles (Drenched in Menstruation anyone) Limbsplitter brings in hard with their musicianship. This is brutal death metal with a grindy feel and even some thrash and technical elements.  They’ve been praised in Metal Injection and featured on a number of fests.  Sick shit here.

 

3. Contaminated

Slow doomy death metal anyone?  Seriously, Australia’s Contaminated blew me away with their debut album, Final Man.  I can’t stop listening. This is some of the heaviest shit I’ve ever heard.  Contaminated coalesces the suffocating thickness of doom metal with the intensity of old school death metal to create a dense and truly massive sound.  What really resonated with me was how convincingly 90’s their debut sounded.  Final Man may as well have come out alongside classics like Autopsy’s Severed Survival.  Truly old school and original; Contaminated’s sound is simply crushing.

2. Degotten

For the life of me I can’t figure out why there hasn’t more buzz in the underground metal community over Degotten’s debut Hexentrost.  This is indisputably masterful blackened thrash with a power metal edge. With a sound that’s both colossal and dark, Chili’s Degotten are proverbial thrash metal warriors heading off to battle, six string axe in hand.  This album is thrash metal perfection, complete with cool riffs and shredding solos, but what sets Degotten apart from others in the black/thrash genre is the nod to classic heavy metal and their melodic undertones.  Original as can be, Hexentrost is a must have for 2017.

 

1. Cemetery Winds

I find it fascinating that such a perfect debut has managed to remain shrouded in obscurity, virtually uncovered by popular extreme metal music media. Cemetery Winds is a Finnish one man black/death project (at least I believe they are a one man project because J. Lukka is the band’s only listed active member).  Their style is melodic on an enthralling level while remaining unequivocally Scandanavian death metal.  The band’s debut, Unholy Ascentions, was released in February of this year.  What sets Cemetery Winds’ sound apart is that instead of drawing on black metal’s rawer elements, as has been the most recent trend in BM of the 2010’s, they follow the old horde and draw on the more melodic elements of the genre.  They achieve this while maintaining their originality and not falling victim to At the Gates worship. Unholy Ascensions is every bit as intense as any gritty Australian death metal band with the ambience of the most memorable Swedish black metal. This is truly incredible stuff.

666 The Best Death, Black, and Thrash Albums So Far This Year

Tons of metal zines have posted articles highlighting the best albums of 2017 so far. They all did this back in June, which I suppose makes sense.  Unfortunately, none of these lists have met the expectations of Underworld Zine.  Once again favoring a band’s popularity over substance, the mainstream metal magazines have failed to highlight some of the greatest metal of the year.  I’m writing this article in response to that trend.  Underworld Zine has always been dedicated to covering truly underground bands.  These are Underworld Zine’s top six black, death, and thrash albums so far for 2017.

Death Metal

6. Warpath- The Ambience of War

Brutal death metal never sounded so good.  Hailing from murky Irish wilderness, Warpath are a band you probably haven’t heard of or listened to but you should familiarize yourself with them immediately and prepare to have your faced melted.  Unlike the menagerie of brutal death metal bands that have listeners struggling to keep their eyes open halfway through the album, Warpath manages to keep their latest EP, The Ambience of War, interesting from beginning to end.  Pummeling blasts, emotive and technical solos, and absolutely sickening vocals meet to create an onslaught of brutality.  The production value is top notch.  While you can clearly hear all the instruments, the grimy quality of old school death metal isn’t lost in the clarity.  This is sickening brutality at its best.

5. Desultory- Through Aching Aons

No death metal listicle would be complete without the inclusion of a proper, melodic Swedish band. Swedish death metal pioneers, Desultory, take the number five spot with their truly ferocious comeback album entitled Through Aching Aons.  The LP has that classic Swedish feel that pays homage to At the Gates, respectably. But, dare I say it, Desultory has gotten heavier with age.  They always had a bit of a melodic groove to their sound, and that isn’t lost on Through Aching Aeons, but this album is pummeling all the way through.  Their combination of brutality and catchiness is what sets their sound apart from others in the Swedish horde.

4. Contaminated- Final Man

Australia’s Contaminated is possibly the heaviest band to make the list.  In the vein of early Autopsy or Convulse, Contaminated has perfected a kind of doom and gloom death metal aggression on Final Man with guitar tones that sound like they were dragged through muck and vocals akin to gargling blood.  Being a relatively new band, Contaminated’s 90s feel is utterly convincing.  Proper use of downtuning and crushing, doomy passages make Final Man truly memorable in 2017.  This is some seriously heavy shit.

3. Necrot- Blood Offerings

In an age of five string basses and blistering technicality, sometimes simplicity can be refreshing.  This is certainly the case with Necrot’s latest release, Blood Offerings.  There’s been a lot of buzz about the band’s latest album and rightfully so. Necrot have forgone the tech death trend, instead opting to create death metal in the vein of Dismember, early Goreguts, or even Death.  This is driving brutality through and through, with catchy riffs, gritty production, and an overall sickening ambience.  The kind of stuff made for circle pits and the wall of death.

2. Undergang- Misantropologi

It seems old school death metal is making a massive comeback.  Undergang’s fourth full length release exemplifies this trend perfectly.  Not that it’s really a trend.  Misatropoligi would scare the pants off an Avenge Sevenfold fan.  This shit is grimy to the core.  D. Torturdød’s are some of the sickest low grunts I’ve ever heard and A. Dødshjælp’s blasts will figuratively rip your face off. Simplistic riffs are masterfully arranged on Misantropoli to create a captivating experience for listeners.  Misantopologi is hard not to fall in love with.

1. Immolation- Atonement

The number one spot on the list is going to the old school masters of death and destruction, Immolation. Atonement doesn’t ease listeners into its glory, instead punching them in the face from the very first crushing riff.  It’s always a relief when a band from the 90s can still destroy and Immolation does just that.  This album holds no punches.  With a victorious and powerful feel, enunciated lyrics, unrelenting brutality, perfectly timed solos and sqeals of the guitar, and melodic technicality, Atonement does not disappoint. But then, when has Immolation ever truly disappointed us?  With Atonement, Immolation shows us how American death metal should be done, and we’re thankful for that.

Black Metal

6. Sinmara/Misþyrming- Ivory Stone/Hof Split

If I had to pick one scene in black metal today that’s touching on the originality of the early Norwegian scene, it would the current scene in Iceland.  The black metal movement in Iceland is bursting with creativity and bringing a new, chaotic approach to black metal that hasn’t been seen in years.  Sinmara and Misþyrming are leading the pack in Icelandic black metal and this year the two powerhouses teamed up to release a split.  The album delivers a blackness and chaos of a black hole and conveys a message of sheer insanity. Sinmara are the real innovators on this EP as their track is vast improvement in quality to the tracks on Aphotic Womb.  But Misþyrming brings it hard as usual with their addition to the split, Hof.  This is cool.  This is kvlt.

5. White Death- White Death

This band just creeped up out of nowhere.  I’m glad they did because their self titled release is comparable to Satanic Warmaster or early Behexen.  The Finnish foursome has seemingly mastered the aesthetic of early, orthodox black metal and brought it to audiences in a fresh and exciting way.  Gloomy passages pair with dissonant riffs, and screeching vocals effortlessly.  Even the occasional fist pounding rock and roll beat or acoustic lick can be found on the band’s self titled debut.  This album is a must have for anyone who loves straight forward black metal done well.

4. Irae- Crimes Against Humanity

Irae is another orthodox black metal project, deriving significant influence from the early, Norwegian sound, but also paying an obligatory nod to the black thrash pioneers.  Irae is a one man project out of Portugal, spawned from the ominous mind of a man known only as Vulturius.  This is good stuff. Fist pumping hard rock licks meet with blackened dissonance, and thrashy interludes to form a truly killer, and old school sounding LP.  Vulturius doesn’t overdo the ambience on this, making for a heavy black metal experience spawned directly from the pits of Hell.  This will scare the hell out of your neighbors.  Really fantastic.

3. Noktunal Mortum- Істина (Verity)

The first black/folk metal band to make the list, Nokturnal Mortum are quite deserving of their position here. Simply the way the first full length track, entitled Мольфа kicks in, with that beautiful string arrangement that builds up into sheer aggression, is enough the moisten your underwear.  This album is a beautiful mix of ambient folk passages, triumphant battle cries, and sheer ferocity wrapped into an hour and fourteen minutes.  The Verity experience is orchestral and you almost lose yourself in the beauty of it.  Is this Nokturnal Mortum’s best release?  Nah.  But it still blows away many other bands under the same moniker.  I can’t stop listening.  Keep at it guys.  Slava Ukraine!

2. Goatmoon- Stella Polaris

Findland’s Goatmoon seems to improve every year.  Stella Polaris is a far cry from Death Before Dishonor in creativity and overall beauty.  The intro is a beautiful acoustic piece that’s consuming and immediately demands full attention from the listener.  Every song  is more beautiful than the next, as BlackGoat Desacrator focuses on building atmosphere with gorgeous, melodic riffs. Stella Polaris is probably his most melodic release so far, matched only by Varjot, but with a fuller sound and better production.  The second to the last track, entitled Overlord, is the one that really stuck out for me.  The final track, entitled P.A.I.L. was interesting, to say the least.  Almost an attempt on a black metal ballad, the track works surprisingly well.  Overall, a win for Goatmoon.  Hail!  Victory!

1. Wode- Servants of the Countercosmos

This band is probably the most surprising on the list.  A new band out of the United Kingdom, Wode is knocking the socks of black metal fans with two stellar releases.  Wode’s sophomore release, Servants of the Countercosmos has a sound that’s almost legendary.  To risk sounding presumptuous, can you say the next Dissection?  Not that this is another Dissection rip off, far from it actually.  It’s just that their sound is so highly memorable that it harkens back an era of musical perfection only matched by Dissection.  Every song is better than the next, as Wode pummels into your soul with an unrelenting ferocity not seen since the 90’s.  The melodic nature of the sound and clean production is reminiscent of the early Swedish black metal sound.  All this greatness spewing from a band made up of musicians virtually unknown to the black metal scene.  What a fantastic record.

Thrash/Speed Metal

6. Lich King- Omnomniclasm 

Lich King makes the number six spot on this list for their newest release entitled Omnomniclasm.  The sheer improvement of the band over the years has people starting to really take notice.  Omnomniclasm is standard thrash metal done at its best.  Focusing on speed, aggression, and ferocity, the new album holds true to original thrash metal vision.  Halfway through, Lich King even hails its speed metal predecessors with a slow and triumphant display of power in the song Civilization.  Think in the vein of Priest.  What Lich King has always focused on, however, is having the coolest riffs and playing faster than anyone else.  Omnimnoclasm delivers sheer speed like few others in the new wave of thrash and perfects the sound with good production and riffs that will crush your skull.  Lich King is basically Vio-Lence reborn and for that we’re all thankful.

5. Power Trip- Nightmare Logic

This album has been getting a lot of hype from metal elitists this year and I can see why.  This is crossover at its best. While I don’t hear a huge amount of hardcore influences on Nightmare Logic, the ones that are there are tasteful.  Ultimately, this is aggression and speed perfectly executed through buzz saw guitar tones, face ripping riffs, rad tempo changes all spawned from the first crunchy riff.  Nightmare Logic is a fist pumping masterpiece complete with anthemic choruses and some of the coolest riffs I’ve heard all year.  Power Trip is good shit.

4. Witchnight- Unholy Speed Metal

Witchnight is a brand new blackened speed metal band out of Argentina but their sound, name, and overall image may as well be out of 1987.  These Argentinian shredders go straight for the jugular with their unique brand of black speed in the vein of Tormentor or demo era Destroyer 666.  The fifteen minute EP entitled Unholy Speed Metal is marked by its utter intensity, lightening fast riffage, and cool DIY production.  This is the kind of album I can imagine procuring in cassete form from a truer than thou older friend who partied with Jeff Hanneman back in the day.  The entire EP drips of blasphemy and rage.  Unholy Speed metal is Witchnight’s first EP, first anything ever.  I really hope this band succeeds.  I need more.

 

3.Bloodlust- At the Devil’s Left Hand

Three words: Australian blackened thrash.  Bloodlust is a relatively new band that has old pro chops.  At the Devil’s Left Hand is the band’s second full length release but the structure and execution of the album is so perfect you’d think Bloodlust had been at it for decades.  I could chalk this up to expertly executed D666 worship but honestly, Bloodlust bring their own unique flavor to the table. The most notable positive on this album is probably the tempo changes, which are so succinctly placed that you’re transported in a sort of thrash metal void upon listening.  Just be careful when you’re listening to AT the Devil’s Left Hand.  You might just break your neck whipping around to their paralyzing riffs.

 

2. Blood Feast- The Future State of Wicked
The blood thirst is real this year. Blood Feast are old school motherfuckers from Jersey who haven’t slowed down a lick.  The band split back in 1991 and reformed in 2007 coming back with a vengeance.  The Future State of Wicked is the band’s first full length release since reforming and it slays harder than a good majority of the youngin thrashers attempts at reviving the old school. Everything from the chilling artwork to the riffs that cut through you like chainsaw to Chris Natalini’s penetrating screams is as heavy as thrash gets.  It’s as though they reformed just to show the new horde how it’s done.  This albums just kills, plain and simple.

1. Hellripper- Coagulating Darkness

Forming only three years ago, the UK’s Hellripper has already redefined the meaning of speed with break neck riffs and blistering solos.  This is an impressive feat for a one man project.  The band’s first full length release, Coagulating Darkness is more than simply unadulterated speed though, the execution is masterfully coherent and the tracks are catchy and memorable.  This album just sounds evil.  Guitar worship reigns supreme, as it should, on Coagulating Darkness as the solos are masterfully placed and the riffs are as cool as Destruction’s.  Despite being from the UK, Hellripper’s music has an unmistakable Teutonic ambiance about that you can’t help but fall in love with.  Really great stuff.

 

Disclaimer: Before anyone gets their panties in a bunch because I missed something, remember this is opinion.  That said, if there’s anything you think I missed, please post it in the comments.  I listen to a lot of metal but I can’t listen to everything. Also note, Underworld is not interested in anything PC, so if you have a problem with one of the bands on the list keep it to yourself and off my site.  That’s all I’ve got.  Stay trve!  Hails!